Every scene is a little story
The whole film has a big conflict, and every scene must have its own little conflict too. In a good scene: someone wants something (in this scene), hits resistance, and the situation has changed by the end (a relationship shifts, info changes, the position changes). If nothing has changed when a scene ends, that scene is dead weight — cut it.
Enter late, leave early: don't shoot filler
The golden rule of writing scenes: enter late, leave early — cut into a scene right as the conflict is about to erupt, and cut away the moment tension peaks and just enough info is given; don't shoot the greetings, small talk, or walking to the door — the parts with no information. If the audience can fill it in, don't waste time showing it.
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Which of these must a 'good scene' have?
答案:Someone wants something, hits resistance, and the situation has changed by the end
Every scene is a little story: a goal, resistance, and a change; a scene that ends with nothing changed should be cut.
What does the rule 'enter late, leave early' mean?
答案:Cut in right as conflict is about to erupt and cut out at peak tension; skip the small-talk filler
Enter late, leave early = cut the greetings/blocking with no info, keep only the parts with tension.
True or false: a scene where the relationships, info, and situation are all unchanged by the end can still be a good scene.
答案:False
A scene that ends with nothing changed is dead weight — cut it; every scene should change something.