🎬 Cinematic Eye
Cinematic Eye
参考斯坦福 CS146S 重制成零基础人话版。下面每篇都能直接读，想动手就进互动课。
- 1Shot Sizes: Five Distances, Five EmotionsHow close the camera is decides how strongly the audience feels
- 2Camera Angle: The Subtext of Low & High ShotsWhere you put the camera secretly decides who has the power
- 3Camera Movement: A Moving Camera Is TalkingPush, pull, pan, track, follow — the five basic moves
- 4The Line: Why Your Dialogue Looks 'Off' After the CutThe 180° rule — don't jump over that invisible line
- 5The Core of a Story: Say It in One SentenceA good story = a person desperately wants something but can barely get it
- 6Three-Act Structure: Setup · Confrontation · ResolutionTwo turning points push the story forward
- 7Character: What They Want vs. What They Truly NeedThe spoken goal and the inner growth are often not the same thing
- 8Conflict & Obstacles: No Conflict, No DramaGive the hero an opponent, a wall, and stakes
- 9Scene & Beats: How to Write a Single SceneEvery scene needs someone who wants something, hits resistance, and ends changed
- 10Dialogue & Subtext: What's Unsaid Is the PointCharacters say one thing and mean another
- 11Composition: Directing Where the Audience LooksSymmetry, thirds, leading lines, negative space — the real rules beyond the rule of thirds
- 12Depth of Field & Focus: Leading the EyeBlurred background = 'look here'; all sharp = 'the info is all here'
- 13Foreground & Framing: Depth in a Flat ImageForeground builds layers; a frame-within-a-frame creates a 'peeking' feeling
- 14Three-Point Lighting: Make a Face Look Three-DimensionalKey, fill, and rim light — each does one job
- 15Light Direction & Quality: Hard vs. Soft, Front vs. BackWhere the light comes from, and how hard it is, sets the mood
- 16Color & Emotion: Warm/Cool and ComplementaryColor isn't just pretty — it's carrying emotion for you
- 17What Editing Really Is: You're Not Joining Shots, You're Directing the Audience's EyesA single cut decides what the audience sees next — and what they skip
- 18Continuity Editing: The Invisible Rules That Hide the CutThe 180° system + four 'stitching' tools that make every cut disappear
- 19Cut for Emotion: Walter Murch's Rule of SixGood editing has priorities — emotion is 51%, more than the other five combined
- 20Montage: Cutting 1+1 into a Third MeaningThe Kuleshov effect + Eisenstein's 'montage of collision'
- 21Rhythm: How Long the Shot Is, How It Joins, Where the Sound GoesDuration sets the pace, match cuts stitch time and space, J/L-cuts offset sound and picture
测一测 🧠
学完顺手检验一下，看你能认出几个。